People are rediscovering the greatest American artist from World War I

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Wilson's dreamlike painting of Marines at Bois de Belleau shows the beginning of one of the deadliest battles in the history of the Corps.

Wilson's dreamlike painting of Marines at Bois de Belleau shows the beginning of one of the deadliest battles in the history of the Corps.
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Wilson himself was gassed during the battle and found himself stranded in no man's land for three days. Here's his painting of another shell-shocked soldier.

Wilson himself was gassed during the battle and found himself stranded in no man's land for three days. Here's his painting of another shell-shocked soldier.

Source: "Grand Illusions"

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Another work from Bois de Belleau shows wounded French troops retreating.

Another work from Bois de Belleau shows wounded French troops retreating.

Wilson's works are hard to categorize. This painting of an explosion resembles abstract expressionism, but it's grounded in reality by the poor figures in the corner.

Wilson's works are hard to categorize. This painting of an explosion resembles abstract expressionism, but it's grounded in reality by the poor figures in the corner.

Source: "Grand Illusions"

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Wilson often painted exaggerated facial expressions, drawing inspiration from traditional Japanese art and theater—as in this painting of a German grenadier shocked as a concussive force shatters the tree in front of him.

Wilson often painted exaggerated facial expressions, drawing inspiration from traditional Japanese art and theater—as in this painting of a German grenadier shocked as a concussive force shatters the tree in front of him.

Source: "Grand Illusions"

Critics have pointed to works like "Front Line Stuff" as "pure cinema."

Critics have pointed to works like "Front Line Stuff" as "pure cinema."

Source: "Grand Illusions"

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Other works were theatrical, like an "Encounter in the Darkness" framed by the ruins of a farmhouse.

Other works were theatrical, like an "Encounter in the Darkness" framed by the ruins of a farmhouse.

Source: "Grand Illusions"

Some works showed the bleak absurdity of war, like the "Dance of Death" of German soldiers caught in barbed wire.

Some works showed the bleak absurdity of war, like the "Dance of Death" of German soldiers caught in barbed wire.

Source: "Grand Illusions"

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Wilson was in his early 30s when he joined the Marines. Before that, he had studied with modernists in New York and Paris and taught at Columbia University's progressive Teachers College.

Wilson was in his early 30s when he joined the Marines. Before that, he had studied with modernists in New York and Paris and taught at Columbia University's progressive Teachers College.

Source: "Grand Illusions"

Wilson's battlefield works, notes the catalogue, are "harrowing and sometimes hallucinatory watercolors that call attention to the loneliness and despair of soldiers on the front lines ... [that] depicted his former adversaries, German foot soldiers, as fellow victims of the collective insanity of war."

Wilson's battlefield works, notes the catalogue, are "harrowing and sometimes hallucinatory watercolors that call attention to the loneliness and despair of soldiers on the front lines ... [that] depicted his former adversaries, German foot soldiers, as fellow victims of the collective insanity of war."

Source: "World War I and American Art"

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